II. The Notebook II (1992—1996)
9.
I only live when I work. The rest of the time I merely exist[1].13.
Sometimes I see musical images as three-dimensional, and frequently it is more clearly I see them, than I hear them (especially when they appear for the first time). This cannot be explained[2].14.
[Three-dimensional] space is very important in the music. “One-dimensional” music it is just as poor as “one-dimensional” literature[3].202.
There is too much of rubbish in Shostakovich's music[4].
With my special thanks to Ekaterina Denisova-Bruggeman for the copy of manuscript of the Denisov’s ‘Notes’ (DS).
